Preliminary Exercise 16: Introduction to Editing in Film
Score: / 110 marks
Section A: Definitions and Examples
Score: ______/60 marks | |
Word | Meaning and how are they used by filmmakers. |
Editing in Film | A creative and technical part of post-production in film. |
Editor (n/a) | a computer program enabling the user to enter or alter text. |
Shot | In production, a shot is the moment that the camera starts rolling until the moment it stops. |
Sequence | In film, a sequence is a series of scenes that form a distinct narrative unit, which is usually connected either by a unity of location or a unity of time. |
Scene | A segment in a narrative film that takes place in one time and space or that uses crosscutting to show two or more simultaneous actions. |
Continuity Editing | Continuity editing uses a variety of classic film editing techniques to blend multiple camera shots — some taken at different times or even different locations — into a seamless, consistent narrative. |
Discontinuity Editing | A classic example of discontinuity editing is a jump cut, where you cut from characters in one scene to the same characters in that same scene but in different postures. This suggests the passage of time. |
spatial editing | Spatial editing is when the relations between shots function to construct film space. |
temporal editing | Temporal editing is when the relations between shots function to control time. |
cut | a cut is an abrupt, but usually trivial film transition from one sequence to another. |
establishing shot | Establishing shots introduce new scenes and tell the viewer where and when the action is happening. |
180-degree rule | The 180-degree rule states that two characters (or more) in a scene should always have the same left/right relationship with each other. |
insert shot | In film, an insert is a shot of part of a scene as filmed from a different angle and/or focal length from the master shot. |
j cut | A type of split edit where the audio from the next scene overlaps on the picture of the preceding scene. |
l cut | A type of split edit where the audio from the preceding scene overlaps onto the next scenes picture. |
post-production, | Postproduction is the editing of audio and visual materials to create a film. |
visual effects | images in a film or entertainment that are created using computers or models, and that can be mixed with live action |
CGI | Computer-generated imagery (CGI) is the creation of still or animated visual content using imaging software. |
expansion of time | Therefore, expanding space-time means that the metric changes with time in such a way that spatial distances get larger as time goes on. |
ellipsis | The ellipsis ... is a series of dots that indicates an intentional omission of a word, sentence, or whole section from a text without altering its original meaning. |
slow motion
| Slow motion is an effect in film-making whereby time appears to be slowed down. |
Dissolve | a dissolve (sometimes called a lap dissolve) is a type of film transition in which one sequence fades over another. |
wipe | In filmmaking, a wipe is a type of film transition where one shot replaces another by travelling from one side of the frame to another or with a special shape. |
Flashback | A flashback (sometimes called an analepsis) is an interjected scene that takes the narrative back in time from the current point in the story. |
Flashforward | Flash Forwards give the audience information about what happens in the future. |
Kuleshov Effect | a film editing effect invented by Soviet filmmaker |
Rough cut | A rough cut is the first edited version of a film, usually without sound, music, or titles. |
long take | In filmmaking, a long take is shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. |
short take | A short take, for instance, might be one or two seconds long, although contemporary films continue to use shorter and shorter takes of less than a single second (making two or three seconds, which sounds like a short amount of time, not very short at all). |
fade in | A fade in is an opening shot or transition technique used in film editing to ease viewers into new imagery, rather than using a sudden cut from scene to scene. |
fade out | The terms fade-out (also called fade to black) and fade-in are used to describe a transition to and from a blank image. |
Part B: Students will define each editing technique and identify 3 ways editors utilize the concepts when editing raw footage. To support your answer, provide examples from a variety film or tv shows by capturing the still images for each technique. See example below. Copy and paste the table below (8) times.
Score: / 50 marks
Editing Technique – Shot/ reverse shot | ||
Definition | Shot/reverse shot - a film technique where one character is shown looking at another character (often off-screen), and then the other character is shown looking back at the first character (a reverse shot or countershot) | |
Describe (2) ways editors utilize this technique | ||
Editors use this technique | Editors utilize the shot/reverse shot technique to show the two different sides of conversation and their emotions. | |
What effects does the technique have on the audience? Discuss genre, emotions, and messages communicated by each technique. | ||
“It's a way to help keep the viewers oriented. |
|
Add Images from film and document the title of the film and year released.
Editing Technique – Jump Cuts | ||
Definition | Jump cut - one shot cuts to another without any continuity between the shots
| |
Describe (2) ways editors utilize this technique | ||
show the passage of time as a character changes positions in a single shot. | They can use a single camera position to show a character covering a great distance without making the audience watch every step. | |
What effects does the technique have on the audience? | ||
but the jump cut purposely highlights the edit to leave the audience unsettled, startled, or amused |
|
Editing Technique – Eyeline Match | ||
Definition | Eyeline match - film editing technique to indicate to the audience what a character is seeing
| |
Describe (2) ways editors utilize this technique | ||
When characters are talking to each other, it’s important to show their reactions to what the other person is saying | Action scenes where characters must react quickly to their surroundings | |
What effects does the technique have on the audience? | ||
allows the audience to believe that they're looking at something through the eyes of the character. |
|
Editing Technique – Crosscutting | ||
Definition | Crosscutting - film editing method that combines different events to depict moments that co-occur inside the narrative structure
| |
Describe (2) ways editors utilize this technique | ||
To capture phone or video conversations. | Filmmakers often use the crosscut to show two characters talking on the phone. | |
What effects does the technique have on the audience? | ||
misdirect audiences to build suspense. |
|
Editing Technique – Graphic match | ||
Definition | Graphic match - occurs when the shapes, colors and/or overall movement of two shots match in composition, either within a scene | |
Describe (2) ways editors utilize this technique | ||
these transitions connect two different scenes with similar visual styles, through colors, shapes, or patterns. |
| |
What effects does the technique have on the audience? | ||
Match cuts can add drama, comedy, tension, or really any other emotional response a good editor and director want to evoke from the audience. |
|
Editing Technique – Parallel editing | ||
Definition | Parallel editing - an editing technique where two or more different scenes are intercut in order to suggest simultaneity
| |
Describe (2) ways editors utilize this technique | ||
Parallel editing is used to convey differences in lifestyle, location, emotions, or themes |
| |
What effects does the technique have on the audience? | ||
provides a level of insight that the audience normally wouldn't perceive. |
|
Editing Technique – Action Match | ||
Definition | Action match - when the action or movement within the frame is matched, regardless of whether it’s shot in the same place or time, | |
Describe (2) ways editors utilize this technique | ||
to generate seamless flow in editing. | the match on action cut creates a connection between two scenes by focusing on similar movements | |
What effects does the technique have on the audience? | ||
Parallel editing can build suspense by showing multiple characters all rushing toward the same goal. This is especially effective if you demonstrate the sense of a ticking clock for the audience and establish different obstacles and setbacks in all of the locations you cut to. |
|
Editing Technique – Cutaway | ||
Definition | Cutaway - a shot that focuses on anything other than the main subject or action of a scene | |
Describe (2) ways editors utilize this technique | ||
Cutaway is commonly used to adjust the pace of the main action |
| |
What effects does the technique have on the audience? | ||
Cutaways have the effect of offering viewers more context than a single shot of someone speaking, using alternative footage that's paired with voiceover. |
|
No comments:
Post a Comment